Mar
Stargate Atlantis: Fatherland
A text sample from a tie-in book that was approved but never written.
A text sample from a tie-in book that was approved but never written.
So 2012 was a hell of a year for me, personally. I started the year two stone overweight, in financial freefall and actually pretty much depressed. I had no writing gigs lined up, was struggling to find any joy in my day job and generally felt like things were Not Going My Way. But did […]
In 2005 I was lucky enough to contribute a Doctor Who short story to a Christmas-themed anthology from Big Finish – Short Trips: A History of Christmas , which was edited by Simon Guerrier. It’s long out of print, and I certainly can’t charge for it, but I don’t think there’s any rule against me giving it […]
Those lovely people at Pornokitsch, Anne and Jared – I call them The Pornos; they don’t laugh – have set up an imprint called Pandemonium Fiction to publish short story collections. The first, Stories of the Apocalypse, contains original tales inspired by the art of John Martin, and the book will be released in October 2011 to […]
New and imminent Bad Haven talk to me about stuff, including my involvement with the film of School’s Out. Mass Movement Magazine review Highlander: The Four Horsemen “Moran and Andrews have taken show favourites and crafted incredible tales that carry the legacy of the show to new realms.” I have a long memoir in the second issue […]
The blog Daily Writing Tips recently published Three reasons to ditch your novel’s prologue. It contains much wisdom. The following extract was part of the pitch that got School’s Out commissioned, and it stayed in the book ‘til very late in the day, but I eventually decided to cut it. My editor was a bit wary […]
This is the pre-titles sequence from my Stargate Atlantis audio play, Impressions, published here by kind permission of Big Finish Productions. More information about Stargate Atlantis: Impressions Order CD or download Stargate Atlantis: Impressions trailer by scottkandrews ACT 1 SCENE 1 Neutral, narrating space. LORNE: Light and shade. The dappled green of forest leaves. The splashes of white […]